O happy day!
When I was a kid, the old and the young read comic books, cowboy stories and magazines. These reading materials would make their way around the village, read by all of the interested members of one household and then passed on to the next. The Phantom was, of course, premium.
– Noel Pearson (2009) “Radical Hope: Education and Equality in Australia” Quarterly Essay, no.35, p.37-8.
On Friday I submitted my thesis. Never thought that would happen :P I had a very fun celebratory weekend and now I can blog anytime I like. Sometime (early) next year I’ll hear whether the examiners liked it, but in the meantime I have three articles (at least) to write, from my thesis and other aspects of teenagers’ reading. Right now I have to write a job application. Sadly my idyllic thesis-free life of leisure may only last until the New Year, but I’ll be enjoying it!
DeliciousThe literature of comics
She said it took different skills to interpret the interplay of words and pictures in graphic novels – skills that were important in today’s highly visual world.
“You’re actually reading the pictures at the same time that you’re reading the words, so if you’re not used to it that can be very difficult. It’s something you have to learn.”
The above is a quote from Perth’s daily newspaper The West Australian and it was supplied to reporter Bethany Hiatt during an interview with me :) Last week I was interviewed about graphic novels and my research by Education Editor Ms Hiatt. My brain is mush due to thesis, but I actually made some lucid comments that gave the impression my brain is not mush :P On Saturday the article was published [1]. Some of The West Australian’s articles are reprinted online, but comics just don’t cut it. You can only read it if you’re in Perth and you’re one of those people who read the paper. What newspapers already know (and are desperately grasping for ideas on how they can make money from the younger generation who don’t read papers) I have now worked out.
I felt almost famous being in the newspaper. Unfortunately my fame is only among those older people who read the paper. I’m not denigrating the older generation of newspaper readers and I’m not sure what the cut-off age is, but when I txtd my friends to tell them to look for me in the paper, their answers were along these lines:
- Ignore me (it happens a lot due to most of what I txt being something totally random that I think is enormously funny but no one else does)
- Tell me to save the article for when we next met up
- Tell me he’d look at it at work on Monday
Governments do listen
Wow, I didn’t think they did, but the Australian Society of Authors told me yesterday that Federal Minister for Competition Policy Craig Emerson announced,
The Government has decided not to change the Australian regulatory regime for books introduced by the previous Labor government…read the rest
This means parallel importation restrictions on books detailed in Australia’s Copyright Act will remain unchanged. The ASA, Australian publishers, authors, illustrators and others campaigned all year to bring about this decision and they’ve succeeded.
ASA Executive Director Dr Jeremy Fisher acknowledged the Australian publishing industry was facing significant pressures.
Minister Emerson correctly highlights the fact that e-books and digital technology are having an impact on the Australian publishing industry. The ASA welcomes change. We constantly seek new means to increase authors’ incomes. We are currently in discussions relating to fair contracts for authors with regard to e-books and products such as Kindle. We have also taken an active role in the US-based Google Book Settlement, which will see authors being able to pursue income streams for out-of-print works. The ASA will always seek improved income streams for its members in both print and digital forms.
Of course the whole world, and one little rabbit, knew this before me, but I only have a few more paragraphs and then I might be able to join the living again.
In other (way more important) news, when I give my (whole, entire) thesis (all of it) to my supervisor, no not at the end of August, not at Halloween, not last week, maybe by this weekend, definitely by next wednesday, I have something very important to blog about – graphic novels! Rachel from Margaret River Library reminded me that this blog is meant to be about graphic novels, not me, so look out for my next post Rachel.
Sweet Scarlett
I’m very close to having a thesis to submit but it’s taken quite a bit longer than I planned, due to a nasty monster which kicks at my heels, waiting for the right moment to trample mud all over my life. Monster isn’t the clinical term, most would call this monster depression, but I find euphemisms much more fun. Visits from the monster have been a bit too frequent for my liking this year, so I’m really looking forward to Halloween, when I will have a thesis to submit.*
At one time I thought I would submit at the same time as Zoë S. but she beat me to it and provided some useful advice on comments to be prepared for in the final stages of writing a thesis, in order to avoid a sociopathic outburst. I also found Zoë’s artistic post-it-note monster of great use. This looks just like the monster scribbled on the inside of my skull which runs circles round my mind, at the most inopportune times.
I haven’t been depressed constantly this year (in between I wrote a thesis with only editing keeping me from submission), but during the times I was, I came to the disconcerting conclusion that I couldn’t write a single coherent thesis sentence, but I could read book, after book, after book. Sadly none of these books were part of my lit review. Runaways is listed in my Literature Cited (as opposed to my Reference List) but reading all the vols I’ve got one after the other without a break in between (and this wasn’t the first time, so I already knew what happened) didn’t improve my thesis.
Inky Goodness
The longlist for the 2009 Inkys has been out for a while, but I’m experiencing some thesis induced insanity at the moment and the Inkys just remind me of all that YA reading I have to catch up on. You may notice Matata the reading cat has a predilection for classics, but she’s not averse to YA in between. I think she could out-read Inky the dog any day of the week.
When I first saw the list I thought the best book of recent times, The Hunger Games by Suzanne Collins, outranked everything else, even the books I hadn’t read :P
But then I read Skim by Mariko Tamaki & Jillian Tamaki which utterly captivated me and The Hunger Games moved down my list. I hadn’t noticed Skim was on the Inkys list at first, but how could such a masterpiece of word and image (my two fav things) not be. I didn’t think its graphic novel-ness was the deciding factor in my opinion. But perhaps it was because it’s the combination of the words and pictures which I love so much, especially the full and double page spreads of illustration, with Skim’s diary creeping across the scene. My favourite is Skim and Lisa trying to summon the dead boy’s spirit in the woods, and missing him because they’re facing the wrong way (right). Its partial repetition on the end papers makes for a beautiful book design.
My favourite words in Skim are repeated in the blurb. The Inkys page also has them, but they missed the most important line (you can’t trust a dog with ink on his paws :P)
I had a dream
I put my hands
inside my chest
and held my heartto try to keep it still
The unusual angles, tantalizingly crossed out words of Skim’s diary and obscuring of Skim’s face so much of the time, until she finds herself and an unexpected friend, combine to make a work of art on a very different level to The Hunger Games. And I much preferred the UK/Aust cover to the Canadian.
Boys don’t cry
Update 25/08: nothing to do with the topic, but I had to amend view on Posse by Kate Welshman which I was reading while watching World’s Strictest Parents. I hadn’t finished Posse when I wrote I liked it. It starts very well, but deteriorates towards the end.
Even weird boys are afraid of their emotions – Special Topics in Calamity Physics by Marisha Pessl (Penguin, 2006)
Because I’m finishing my thesis and my research with teenagers is long since over, the only teenagers I have access to these days are sk8ers and graf artists. They’re not quite representative of teenagers in general, so I look elsewhere for what the rest of the teen population is up to. My latest source is about as representative of teens in general as the real kids I know, but perhaps not quite as real, because it’s the reality TV of World’s Strictest Parents. I’m desperate for anything to distract me from my excruciating thesis that I really should have finished by now.
I’m about to discuss reality TV because of the very real situation that occurs among boys and the men they become. I noticed this in previous episodes, but it wasn’t until the episode with a gay guy that I realized boys aren’t allowed to cry, unless they’re gay. Teenage boys brought up in our sexist world learn early on not to show “feminine” emotions like crying. If parents don’t model this behaviour, kids in the school yard will enforce it. Boys are “allowed” to show anger, particularly in the form of violence, or just plain avoidance of any emotion. As 16 year olds, the participants in World’s Strictest Parents are unlikely to realize that while they think it’s embarrassment at their mates seeing them cry that stops them, they’ve actually had 16 years of conditioning not to cry, from their mates, media and society in general. If any of these boys did cry and the producers chose to cut it, such manipulation by adults choosing to maintain this facade, would be even worse. I don’t think it’s the latter, tears from anyone make for good TV.
Steampunk Dreaming
Scott Westerfeld’s next book Leviathan is due out in October. I knew a bit about it: that it’s set during an alternative steampunk WWI (note to Edward) and I’d read the first chapter. I like steampunk, but it’s not my fav genre and although I’m going to read Leviathan, I wasn’t all that excited about it. Until now.
I hadn’t visited Westerblog in a while but today I did and discovered two things:
- there’s been a redesign à la steampunk — very cool
- but more importantly, Leviathan is illustrated by Keith Thompson
Westerfeld wanted the finished book to have the period feel of the era in which the story is set, Simon & Schuster is using 70-pound paper, full-color endpapers depicting an allegorical map of Europe, and 50 interior illustrations — lavish bookmaking financed in large part by Westerfeld himself. — Publishers Weekly [2]
Confabulating Beastly Hunger Games*
The other day I mentioned Beastly by Alex Flinn and mistakenly said it was by Suzanne Collins. I would love to read Beastly by Suzanne Collins, but sadly it’s only available in a parallel universe.
I enjoyed Gregor the Overlander by Suzanne Collins (although I only read the first in the series) but her latest The Hunger Games is much darker and thought provoking. I read Beastly and The Hunger Games in quick succession and they morphed into one in my rantings about the Productivity Commission’s report on removal of parallel importation restrictions on books. I said the copy I read was printed in the US. Subsequently I looked more closely at the paperback Beastly and found no mention of where it was printed. I’m pretty sure it’s a US produced book due to the not-so-white paper and a second barcode on the inside front cover, which I don’t think Australian produced books have. Most books state where they were printed, as did the hardback of The Hunger Games I read (printed in the US).
I have a thing for pictures in books (in case you hadn’t noticed) and when a book has no pictures, I have to make do with the cover, thus I’m passionate about cover design. Despite my non-existent design skills, I have an amazing ability to establish just how lacking someone else’s design skills are :P which is what I’m about to do with Beastly and The Hunger Games.
I wasn’t particularly enamoured of the cover designs of either book. They’re both true to their contents but the “futuristic” font of The Hunger Games grated and the rose on Beastly annoyed me. You can’t really see this from the small pic of the cover, but it had some strange texture thing going on, which I obviously didn’t get. The roses in the story are real and the cover rose just looked photocopied. (Spanish cover is way better.) But I don’t hate everything, if you remove the dust jacket of The Hunger Games the golden mocking-jay on the plain binding is stunning.
Australian Comics and Graphic Novels
I have a list of graphic novels written or illustrated by Australians. It’s not extensive and I often discover titles I’ve missed, but finding Australian graphic novels and comics may become easier. Debbie Cox contacted me to tell about two projects of the National Library of Australia which aim to ensure the library collects published work of Australian comics creators. Collecting Australian Fringe Publishing at the National Library of Australia and The Comics Claiming Project are about the collection and treatment of comics, graphic novels, manga and zines at the NLA. The projects focus on:
- What’s being published by Australian creators and publishers, whether published in Australia or not
- Whether the NLA is adding them to the collection
- If not, how the intake of these materials could be improved
How is this relevant to Australian comics and graphic novels creators?
The NLA needs help ensuring Australian comics, graphic novels, manga and zines are represented in the national collection. For creators this will mean a copy of published work is preserved in a controlled environment and made accessible to library patrons now and in the future. Information about these works will also be made available as a catalogue record to anyone anywhere with access to the internet.
